By Chuck Klosterman
Originally gathered in Eating the Dinosaur and now on hand either as a stand-alone essay and within the e-book assortment Chuck Klosterman on Pop, this essay is ready ABBA.
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Extra resources for ABBA 1, World 0. An Essay from Eating the Dinosaur
Com. The Simon & Schuster Speakers Bureau can bring authors to your live event. com. Manufactured in the United States of America ISBN 978-1-4516-2473-1 ABBA 1, World 0 1 Sometimes it’s hard to tell if things that happened in your life only happened to you or if they happened to everyone. Every formative incident feels normal to the child who experiences it, so sometimes it takes twenty-five or thirty years to realize a particular event was singularly bizarre. For example, it took me a long time to recognize that being institutionally taught to dislike disco in my second-grade social studies class was deeply weird—unless, of course, this was a totally normal thing that happened to everybody in America who was born in 1972 and attended a public elementary school.
All of us.
Helens, the ongoing success of NASA, and whatever was supposedly happening in women’s sports and national politics. For some reason, one of the exposés tackled by the Weekly Reader in autumn of 1980 was the rising unpopularity of disco, punctuated by “Disco Demolition Night” at Chicago’s Comiskey Park during the summer of ’79 (news cycles were slower in those days). Disco Demolition Night was a promotional event where a bunch of intoxicated baseball fans blew up Village People albums with dynamite in center field.
ABBA 1, World 0. An Essay from Eating the Dinosaur by Chuck Klosterman