Download e-book for iPad: Adorno Reframed: Interpreting Key Thinkers for the Arts by Geoff Boucher

By Geoff Boucher

ISBN-10: 0857736957

ISBN-13: 9780857736956

Pushed aside as a depressing elitist who condemned pop culture within the identify of ‘high art’, Theodor W. Adorno (1903-1969) is likely one of the such a lot provocative and critical but least understood of up to date thinkers. This e-book attracts on new translations into English to problem this well known photograph and re-examines Adorno as a utopian thinker who believed genuine artwork may possibly keep the world.

Adorno Reframed isn't just a entire advent to the reader coming to Adorno for the 1st time via special dialogue of works of art, novels, motion pictures and track, yet an incredible re-examination of this founding father of the Frankfurt university. motivated by way of Kant, Hegel, Freud, Marx, Nietzche and Kierkegaard, Adorno was once a searing critic of the formal, reductive rationality of the Enlightenment and of modernity. Unafraid to discuss human nature, undaunted through dogmas relating to cultural building, Adorno enjoyed paintings that hurts, that challenged the present tradition of the day and resisted the controlled, commodified pseudo-happiness of ‘administered society’. protecting the independence of the wildlife and the particularity of the human person, for Adorno actual genuine artwork used to be a defiant refusal to subordinate the materiality of the realm and the lived truth of human job to the imperatives of social totality.

Making his conception obtainable via a wealth of concrete illustrations, many drawn from Adorno himself, Geoffrey Boucher recasts Adorno as a innovative whose anthropological imaginative and prescient of the human situation, feel of subversive irony and profoundly ancient aesthetics defended the integrity of the person opposed to the commodified tradition industries that offer unsatisfying buyer ‘happiness’. Grounding Adorno’s social philosophy and aesthetic conception in contextualised research of artists starting from Stockhausen and Kafka to David Lynch and Brett Easton-Ellis, Adorno Reframed takes its topic from interwar modernity into the postmodern and feminist current to ascertain the legacy and impact of Adorno’s radical modernism and his trust that artwork used to be within the bottom line how to focus on, no longer get away, fact.

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Extra resources for Adorno Reframed: Interpreting Key Thinkers for the Arts (Contemporary Thinkers Reframed)

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Implicitly drawing upon the critique of reification, Horkheimer argues that capitalist society appears to bourgeois consciousness as a ‘sum total of facts’ submitted to ‘the classificatory thinking of each individual’, in the interests of effective adaptation to social reality (Horkheimer, 1982: 199). The disciplinary silos of traditional sociology and bourgeois 43 Negative dialectics philosophy tend to divide social reality into separate compartments. Taking the closed systems of mathematical formalisations of knowledge, such as economics, as their model, mainstream sociology eliminates substantive questions about whether social reality promotes the good life (Horkheimer, 1982: 199–205).

One of the Institute’s leading economists, Friedrich Pollock, describes post-liberal capitalism as a form of centrally planned ‘state capitalism’, with democratic (USA, France, UK) and totalitarian (Germany, Russia) variants (Held, 1980: 58–63). Adorno and Horkheimer explain this in terms of the universality of the equivalence principle, the capitalist principle of abstract equivalence and quantitative calculation (Adorno and Horkheimer, 2002: 81–82). According to their analysis, ‘universal equivalence’ has spread throughout society because of the monetarisation of social relationships, generating an integrated, one-dimensional society.

James Joyce demonstrates that realist literature is only one form of writing. Picasso shows how naturalistic depiction is only one of the possible artistic conventions. Schönberg proves that harmonic intervals are only an arbitrary way of organising the twelve chromatic notes. Likewise, Adorno aims to exhibit history, freedom and the subject emerging as abstractions from a historical and social process of thinking about experience, one that might be otherwise than it is today. To do this, Adorno thinks in what he calls ‘constellations’, groupings of ideas that make connections between aspects of experience without coercing these conceptually into a formal system.

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Adorno Reframed: Interpreting Key Thinkers for the Arts (Contemporary Thinkers Reframed) by Geoff Boucher

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