Download e-book for iPad: Aesthetics and Marxism: Chinese Aesthetic Marxists and Their by Kang Liu

By Kang Liu

ISBN-10: 0822324482

ISBN-13: 9780822324485

Although chinese language Marxism—primarily represented through Maoism—is commonly noticeable by means of Western intellectuals as monolithic, Liu Kang argues that its practices and tasks are as assorted as these in Western Marxism, really within the region of aesthetics. during this comparative research of ecu and chinese language Marxist traditions, Liu unearths the level to which chinese language Marxists contain rules approximately aesthetics and tradition of their theories and practices. In doing so, he constructs a totally new figuring out of chinese language Marxism. faraway from being secondary issues in chinese language Marxism, aesthetics and tradition are actually important issues. during this appreciate, such Marxists are just like their Western opposite numbers, even supposing Europeans have had little figuring out of the chinese language adventure. Liu lines the family tree of aesthetic discourse in either smooth China and the West because the period of classical German inspiration, displaying the place conceptual changes and divergences have happened within the traditions. He examines the paintings of Mao Zedong, Lu Xun, Li Zehou, Qu Qiubai, and others in China, and from the West he discusses Kant, Schiller, Schopenhauer, and Marxist theorists together with Horkheimer, Adorno, Benjamin, and Marcuse. whereas stressing the range of Marxist positions inside China in addition to within the West, Liu explains how rules of tradition and aesthetics have provided a positive imaginative and prescient for a postrevolutionary society and feature affected a large box of concerns regarding the issues of modernity. Forcefully argued and theoretically refined, this e-book will attract scholars and students of latest Marxism, cultural experiences, aesthetics, and glossy chinese language tradition, politics, and beliefs.

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It will then allow us, the philistine crowd, to part with struggles of desire in life, within the world as a prison house, so that we may achieve a temporary equanimity. 47 This argument was presented in Wang’s celebrated study of Dream of Red Chamber. What distinguishes this as not only his magnum opus, but also a first in paradigmatic modern literary criticism in China, is Wang’s modernist interpretation. Wang’s study elucidates the affinities between Western postromantic, modernist sentiments and classical Chinese aesthetics that had fascinated modernist thinkers and poets, such as Karl Jaspers and Ezra Pound.

He then argues that modernity as such ‘‘can be said to unite all mankind. But it is a paradoxical unity, a unity of disunity: it pours us all into a maelstrom of perpetual disintegration and renewal, of struggle and contradiction, of ambiguity and anguish. ’ ’’20 Modernity must now be grasped as the experience of a general, historical, and universal condition aesthetics, modernity, and alternative modernity 13 of existence, a structural totality determined and overdetermined by a multitude of particular, local, and irreducible contradictions.

Politically, it signals a turn to an antireform, counterrevolutionary standpoint. His ideological allegiance resembled a certain right-wing modernism in the West. 51 Western aesthetic modernism can be said to have had two distinct preoccupations. One was with language, or the mode of representation; the other, myth. An obsession with language and representation had to do with the modernist uncertainty of the linguistic medium, and suspicions about language’s ability to represent eternal and immutable truths.

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Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries by Kang Liu


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